A body of artwork that looks to explore how we define an art object both in relation to its fabrication as well as it’s situational context. In these artworks, plaster is used to cast individual panels that resemble paintings. 

 

The ideas behind these compositions are developed from a series of studies inspired by everyday stories, situations, and insecurities. Through these studies, abstracted motifs emerge as daily observations become edited in an on-going visual dialogue. The artworks are hybrids, caught between the act of painting and sculpture, naughty outsiders awaiting acceptance into a category. The use of titles offering an indication of their origins, such as; ‘Who unhinged the Apricot’ or ‘Sprouting Confusion’.

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